Alan Jackson – Pop A Top (Official Music Video)

Introduction

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Released on October 4, 1999 as the lead single from his covers album Under the Influence, Alan Jackson’s rendition of “Pop A Top” marked a revival of a classic country standard . The song was originally written by Nat Stuckey in 1966 and then popularized by Jim Ed Brown, whose version hit No. 3 on the Billboard country chart in late 1967 .

Jackson’s upbeat, honky‑tonk interpretation climbed to No. 6 on the U.S. Billboard Hot Country Songs chart and reached No. 2 in Canada . His version stayed true to the song’s storytelling roots: a heartbroken man drowning his sorrows at the bar, each “pop‑top” click serving as a bittersweet punctuation to his grief and nostalgia .

The official music video, directed by Steven Goldmann, stars country parody artist Cledus T. Judd. It begins with Judd opening a beer in his kitchen, then cutting to a surreal black‑tie party where Jackson performs. As glasses pass, the guests reveal their working‑class, down‑home selves, blending humor and country charm before Judd snaps back to reality, beer in hand .

Beyond its chart performance, Jackson’s choice of song connected him with tradition. At the 1999 CMA Awards, he famously cut short “Pop A Top” to begin singing George Jones’s “Choices” in a show of solidarity and respect—an act widely praised by fans and critics as a bold defense of classic country values .

By re‑introducing “Pop A Top” to a new generation, Alan Jackson succeeded in bridging vintage storytelling and modern country flair—cementing the song’s place among his most beloved performances while honoring the legacy of its original creators and champions.

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THE NIGHT COUNTRY MUSIC HELD ITS BREATH: Alan Jackson Walked Onstage… and Time Seemed to Stop. There were no blazing pyrotechnics, no theatrical farewell designed to soften the truth everyone in the room could feel. When Alan Jackson stepped into the light, it wasn’t the entrance of a star ending a tour—it felt like a man carrying decades of stories onto one last stretch of stage. The crowd roared, but beneath the cheers there was a fragile silence, the kind that comes when people realize a moment will never come again. Each song landed heavier than the last. The melodies were the same ones fans had carried through weddings, funerals, long drives, and quiet nights—but now every note felt like it was slipping through their fingers. You could see it in the faces in the audience: some smiling, some wiping tears, many simply standing still, as if afraid to blink and miss something sacred. What made the night unforgettable wasn’t the setlist or the performance—it was the unspoken understanding. This wasn’t a farewell tour in the usual sense. It felt more like standing at the edge of a long, winding road, watching the sun set behind it, knowing the journey mattered more than the ending. And when the lights dimmed, there was no grand goodbye. Just the echo of a voice that had carried generations, fading gently into the dark—leaving behind the haunting realization that some endings don’t announce themselves… they simply arrive, and leave your heart quieter than before.