Ronnie Dunn – The Cowboy Rides Away

Introduction

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“The Cowboy Rides Away” was originally written by Sonny Throckmorton and Casey Kelly, and first recorded by George Strait in mid‑1984; it was released as the second single from his album Does Fort Worth Ever Cross Your Mind on January 14, 1985, reaching No. 5 on the U.S. Billboard Hot Country Singles chart and No. 3 in Canada . The song became a signature closer for Strait’s concerts and inspired the name of his farewell “The Cowboy Rides Away Tour” (2013–2014). Its final performance on June 7, 2014 at AT&T Stadium in Arlington, Texas drew a record‑setting crowd of over 104,000 fans.

Lyrically, the song presents a poignant story of a cowboy ending a long, troubled relationship. With vivid imagery—“my heart is sinking like a setting sun”—it wraps heartbreak in stoic cowboy mythology, blending emotional vulnerability with rugged independence . Critics have praised it for weaving traditional country themes with fresh emotional resonance; Country Universe awarded it an A grade for reinventing the cowboy archetype with emotional depth .

In January 2020, Ronnie Dunn recorded the song for his album Re‑Dunn, a 24‑song passion project of country and rock covers that influenced him—calling “The Cowboy Rides Away” himself “a no‑brainer” pick because “the dance floors filled up with a sea of cowboy hats” when the song came on . Dunn’s version pays tribute to Strait while embracing the song’s emotional core and inviting listeners to re‑experience the bittersweet farewell through his rich, veteran voice.

Dunn’s rendition appears alongside other iconic covers on Re‑Dunn, positioned as a heartfelt homage to one of country music’s defining songs, one that helped mark both the end of an era and the enduring spirit of the cowboy’s farewell ride.

Video

Lyrics

I knew the stakes were high right from the start
When she dealt the cards I dealt my heart
Now I just found a game that I can’t play
And this is where the cowboy rides away
And my heart is sinking like the setting sun
Setting on the things I wish I’d done
It’s time to say goodbye to yesterday
This is where the cowboy rides away
We’ve been in and out of love and in between
And now we play the final showdown scene
And as the credits roll a sad song starts to play
This is where the cowboy rides away
And my heart is sinking like a setting sun
Setting on the things I wish I’d done
It’s time to say goodbye to yesterday
This is where the cowboy rides away
Oh the last goodbye’s the hardest one to say
This is where the cowboy rides away

You Missed

LORETTA LYNN HAD FOUR CHILDREN BEFORE SHE TURNED TWENTY. NASHVILLE HAD NOT HEARD HER NAME, BUT THE SONGS WERE ALREADY STARTING IN THE KITCHEN. Loretta Webb was fifteen when she married Oliver “Doolittle” Lynn. He was a war veteran from Kentucky. She was a coal miner’s daughter from Butcher Hollow who had barely been away from the hills where she grew up. Not long after the wedding, they left for Custer, Washington — a logging town far from Appalachia, far from Nashville, and far from any place that looked like a music career. Loretta was pregnant with her first child when they arrived. By the time she was twenty, she had four children. There were diapers, laundry, meals, bills, and a small house crowded with the ordinary work of keeping a young family alive. Doolittle worked. Loretta worked at home. Nobody was waiting in Nashville for a woman with four little children and no record deal. Then Doolittle bought her a guitar. It was a seventeen-dollar Sears guitar. Loretta did not know many chords. She learned them one at a time. She played around the house, then at local clubs, then wherever somebody would let her stand near a microphone long enough to prove she could sing. The songs came from the life she already had. They came from women who worked all day and still had to deal with a husband coming home drunk. Women who had babies too young. Women who knew what it felt like to be left behind, talked down to, cheated on, or expected to smile anyway. Loretta did not need Nashville to invent those women for her. She had grown up around them. In 1960, she recorded “I’m a Honky Tonk Girl.” Doolittle helped press the records, mail them, and drive from station to station trying to get disc jockeys to listen. The song became a hit. Then came Nashville. Then “Success.” “You Ain’t Woman Enough.” “Don’t Come Home a-Drinkin’.” “Coal Miner’s Daughter.” But the real beginning was earlier. It was a young mother in Washington State, with four children in the house and a cheap guitar close enough to reach after the work was done.

10 STUDIO ALBUMS. 13 COMPILATIONS. MILLIONS OF RECORDS SOLD. BUT BEHIND COUNTRY MUSIC’S GREATEST DUET HID A BOND THAT EVEN DEATH COULD NOT SILENCE. For decades, Conway Twitty and Loretta Lynn ruled the Nashville charts. When they stepped up to the microphone to sing “Louisiana Woman, Mississippi Man,” the chemistry was so electric that fans swore they were witnessing a real-life romance. They were the undisputed king and queen of the country duet, delivering fiery hits with a gaze that could melt an arena. But the truth offstage was far more profound. They weren’t hiding a scandalous love affair; they were building an unbreakable, platonic devotion. Through the chaotic machinery of the music industry, they became each other’s safest harbor. It wasn’t just about perfectly timed harmonies; it was about late-night conversations, shared laughter in dressing rooms, and a trust that never wavered. When Conway passed away suddenly, that harmony was broken. Loretta didn’t just lose a singing partner; she lost the brother she never had. For years, she had to stand on those stages alone, singing their songs while the silence of his absence echoed in the room. Today, as fans remember Conway’s heavenly birthday, the sorrow of his departure is replaced by the warmth of what they left behind. Conway and Loretta are both gone now, reunited somewhere beyond the stage lights. But drop a needle on one of those old records, and they are instantly alive again. Every duet needs its echo. And as long as country music exists, theirs will never fade.