Brooks & Dunn – Honky Tonk Stomp (featuring Billy Gibbons)

Introduction

Honky Tonk Stomp (feat. Billy Gibbons) - Music Video by Brooks & Dunn -  Apple Music

Honky Tonk Stomp” is a high‑octane country‑rock single released by Brooks & Dunn on August 10, 2009 as part of their compilation album #1s… and Then Some . Written by Ronnie Dunn, Terry McBride, and Bobby Pinson, the track stands as the duo’s 50th overall single, and one of two newly recorded songs included on that greatest‑hits set .

Musically, the song is an up‑tempo, electric‑guitar‑driven barnstormer, described by critics as some of the hardest rocking Brooks & Dunn ever attempted . In a notable genre‑crossing collaboration, Billy Gibbons, the legendary guitarist and vocalist of ZZ Top, contributes both guest vocals and gritty guitar on the track—adding a Southern rock punch to its honky‑tonk backbone .

The genesis of “Honky Tonk Stomp” is rooted in Bobby Pinson’s idea, which the trio transformed into a party‑anthem lyric. Ronnie Dunn later suggested the title after the song was largely written, sealing the concept of a stomping barroom rave‐up .

Released as the second and final single from #1s… and Then Some, the song reached number 16 on Billboard’s Hot Country Songs chart in late October 2009 . Nationwide, the official music video—set amidst the colorful Cadillac Ranch in Amarillo, Texas—became a visual celebration of stomping with fans, earning a spot at No. 47 on GAC’s Top 50 Videos of the Year list .

“Honky Tonk Stomp” thus represents an exhilarating late‑career highlight for Brooks & Dunn: a raucous fusion of country tradition and rock swagger, showcasing the duo’s willingness to push their style further while collaborating with iconic musicians beyond Nashville.

Video

Lyrics

Telly Man, standin’ on a band stand, grand standin’ bendin’ and bangin’ them strings
Eye candy shakin’ on a dance floor, sayin’ “Play me one more,” makin’ a scene
Cowboy camped on a bar stool, shootin’ double whiskey with a longneck back
And Billy with a pool cue starring down an eight ball, lookin’ at Kelly with a rack

Out in the country, back roads and one horse towns
We saw fiddles, play our guitars loud
We talk the talk, and walk the walk
And do the Honky Tonk Stomp

Yeah…Pickups in the parking lot, rockin’ like a juke box jumpin’ in the July air
Cooler in the tool box, drinkin’ every last drop…won’t let ya take it in there
Whiskey high, two dudes stumblin’ out the back door. Bouncers help ’em take it outside
Through the fussin’ and the cussin’, & the shovin’ and the pushin’…well, it really ain’t much of a fight

Out in the country, back roads and one horse towns
We saw fiddles, play our guitars loud
We talk the talk, and walk the walk

Out in the country, back roads and one horse towns
We saw fiddles, play our guitars loud
We talk the talk, and walk the walk

You Missed

THREE BROTHERS. ONE BOND THE WORLD COULD FEEL. When the Bee Gees stood together — Barry Gibb, Robin Gibb, and Maurice Gibb — it was never just a band onstage. It was family, carrying a lifetime into every harmony they shared. Their voices didn’t compete. They leaned in. Each part made space for the others, fragile and powerful at the same time. You could hear trust in the way their notes met — the kind that only forms when people grow up together, argue together, forgive together, and keep choosing one another anyway. What came out of those harmonies wasn’t technique alone. It was relationship. Fans didn’t just listen. They attached. These songs moved quietly into people’s lives and stayed there. They played at weddings and during heartbreaks. They filled long drives and late nights when the world felt heavy. The music didn’t demand attention — it offered company. And that is why it lasted. You can’t manufacture that kind of connection. You can’t schedule it. You can’t fake it. You have to live it. The Bee Gees lived it — through success and backlash, through reinvention and loss, through moments when harmony was effortless and moments when it had to be rebuilt. And because it was real, the world could feel it. Every falsetto line. Every shared breath. Every pause where three brothers trusted the silence. That is why their legacy endures. Not just because of the songs. Not just because of the harmonies. But because what people heard was love, translated into sound — and the world was lucky enough to witness it.