Conway Twitty – Feelins’

Introduction

Conway Twitty’s Feelins’ is one of those country music classics that captures the deep, emotional undertones of love and loss, resonating with fans both new and old. Released in the 1970s, the song became an instant favorite, showcasing Twitty’s talent for conveying raw emotion through his smooth, soulful voice. For country music lovers, Feelins’ is an anthem of longing, offering a timeless reminder of the power of love and heartache. Its relatable lyrics and soft, heartwarming melody make it a must-have addition to any country music playlist.

The song’s lyrics express the deep emotional conflict and vulnerability of being in love, yet feeling unable to fully express those feelings. Twitty’s voice carries the weight of the song’s sorrowful message, making it easy for listeners to connect with the sense of longing. The melody complements the emotional depth of the lyrics, with its gentle piano and slow rhythm pulling the listener into the story. Feelins’ stands out as one of those country songs that captures the delicate balance of tenderness and pain in a relationship, making it an unforgettable classic.

Conway Twitty, one of the top country music artists, was known for his ability to bring such sincerity to his music, and Feelins’ is no exception. With a career that spanned decades, Twitty earned numerous accolades, including CMA Awards, ACM Awards, and a respected place in the Country Music Hall of Fame. His ability to convey deep emotion through his lyrics and voice made him a beloved figure in country music. Feelins’ showcases his artistry and stands as one of his most iconic songs.

For fans of classic country hits, Feelins’ is a song that has stood the test of time. Available on country music streaming services, it can be added to your country music playlist for relaxing or country music playlist for driving, allowing you to enjoy the emotional power of the song at any time. For those looking to own a piece of Twitty’s legacy, buy country music albums that feature this track, and relive the magic of his heartfelt ballads. Additionally, country music vinyl records offer a nostalgic way to enjoy the rich sound of Feelins’ in its purest form.

Twitty’s impact on country music can still be felt today, and country music concert tickets provide fans with the opportunity to experience the magic of his music live. For collectors, country music merchandise is a great way to show appreciation for this legendary artist.

In conclusion, Feelins’ is a standout song in Conway Twitty’s incredible catalog of country music. Whether you’re revisiting it or hearing it for the first time, it’s a perfect addition to any country music playlist. Explore Twitty’s full album catalog, buy country music albums, and celebrate his enduring legacy in country music with live performances and memorable tracks.

Video

Lyric

Feelins’
Just lead us on ’til we know where we’re goin’, mm
If I told you that I loved you
Could we slip away where the lights’re low
And if I put my arms around you
And held you close could you tell me no
Well, you know that I’d be lyin’ if I said
I was a-tryin’ to let you know I’d go
Let love take me where we’ve never been before
Feelins’
Just lead us on ’til we know where we’re goin’, mm
You don’t know how long I’ve wanted to have you
Where you are right now
With you looking soft and pretty
Ain’t no telling where we’ve found
Now here we are together
To close for talkin’
I can’t tell you, no
Yes, love take us where we’ve never been before
Feelins’
Just lead us on ’til we know where we’re goin’, mm
Feelins’, mm
Feelins’

You Missed

LORETTA LYNN HAD FOUR CHILDREN BEFORE SHE TURNED TWENTY. NASHVILLE HAD NOT HEARD HER NAME, BUT THE SONGS WERE ALREADY STARTING IN THE KITCHEN. Loretta Webb was fifteen when she married Oliver “Doolittle” Lynn. He was a war veteran from Kentucky. She was a coal miner’s daughter from Butcher Hollow who had barely been away from the hills where she grew up. Not long after the wedding, they left for Custer, Washington — a logging town far from Appalachia, far from Nashville, and far from any place that looked like a music career. Loretta was pregnant with her first child when they arrived. By the time she was twenty, she had four children. There were diapers, laundry, meals, bills, and a small house crowded with the ordinary work of keeping a young family alive. Doolittle worked. Loretta worked at home. Nobody was waiting in Nashville for a woman with four little children and no record deal. Then Doolittle bought her a guitar. It was a seventeen-dollar Sears guitar. Loretta did not know many chords. She learned them one at a time. She played around the house, then at local clubs, then wherever somebody would let her stand near a microphone long enough to prove she could sing. The songs came from the life she already had. They came from women who worked all day and still had to deal with a husband coming home drunk. Women who had babies too young. Women who knew what it felt like to be left behind, talked down to, cheated on, or expected to smile anyway. Loretta did not need Nashville to invent those women for her. She had grown up around them. In 1960, she recorded “I’m a Honky Tonk Girl.” Doolittle helped press the records, mail them, and drive from station to station trying to get disc jockeys to listen. The song became a hit. Then came Nashville. Then “Success.” “You Ain’t Woman Enough.” “Don’t Come Home a-Drinkin’.” “Coal Miner’s Daughter.” But the real beginning was earlier. It was a young mother in Washington State, with four children in the house and a cheap guitar close enough to reach after the work was done.

10 STUDIO ALBUMS. 13 COMPILATIONS. MILLIONS OF RECORDS SOLD. BUT BEHIND COUNTRY MUSIC’S GREATEST DUET HID A BOND THAT EVEN DEATH COULD NOT SILENCE. For decades, Conway Twitty and Loretta Lynn ruled the Nashville charts. When they stepped up to the microphone to sing “Louisiana Woman, Mississippi Man,” the chemistry was so electric that fans swore they were witnessing a real-life romance. They were the undisputed king and queen of the country duet, delivering fiery hits with a gaze that could melt an arena. But the truth offstage was far more profound. They weren’t hiding a scandalous love affair; they were building an unbreakable, platonic devotion. Through the chaotic machinery of the music industry, they became each other’s safest harbor. It wasn’t just about perfectly timed harmonies; it was about late-night conversations, shared laughter in dressing rooms, and a trust that never wavered. When Conway passed away suddenly, that harmony was broken. Loretta didn’t just lose a singing partner; she lost the brother she never had. For years, she had to stand on those stages alone, singing their songs while the silence of his absence echoed in the room. Today, as fans remember Conway’s heavenly birthday, the sorrow of his departure is replaced by the warmth of what they left behind. Conway and Loretta are both gone now, reunited somewhere beyond the stage lights. But drop a needle on one of those old records, and they are instantly alive again. Every duet needs its echo. And as long as country music exists, theirs will never fade.