Conway Twitty – You’ve Got a Good Love Comin’

Introduction

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There’s an undeniable magic in the voice of Conway Twitty, and his hit You’ve Got a Good Love Comin’ is a perfect example of his ability to connect deeply with his audience. Released in 1976, this song offers a timeless message of hope and love that resonates with both seasoned country music fans and newcomers alike. For long-time listeners, this song brings back memories of a time when country music was about more than just melodies—it was about capturing the emotional essence of everyday life. For those hearing it for the first time, it’s a beautiful introduction to the heartfelt storytelling and powerful vocals that defined Conway’s illustrious career.

The song is a celebration of love and all the emotions that come with it, from anticipation to fulfillment. You’ve Got a Good Love Comin’ features lyrics that speak directly to the heart, celebrating the joy and warmth that a good love brings into one’s life. The smooth, velvety voice of Conway Twitty adds an extra layer of sincerity to the message, making every word feel as though it’s meant for the listener. The melody is classic country—gentle, yet rich with emotion—perfectly complementing the lyrics. This is the kind of song that makes you smile while feeling deeply, a reminder of why country music has such a unique power to connect with the human experience.

As one of the top country music artists of his generation, Conway Twitty amassed a remarkable list of accolades, including CMA Awards, ACM Awards, and CMT Awards. His powerful voice and deeply emotional lyrics made him a household name in the world of country music. His legacy was solidified with induction into the Country Music Hall of Fame, and songs like You’ve Got a Good Love Comin’ are a testament to his ability to blend sincerity with musical excellence. His presence on the country music charts was a constant throughout the 1970s and 1980s, and he remains an influential figure in the genre.

For fans curating the perfect country music playlist for relaxing or building a country music playlist for weddings, this track deserves a spot. It’s the kind of song that speaks to the heart, making it an ideal choice for moments of reflection or love-filled celebrations. If you’re enjoying this track, consider buying country music albums featuring Conway’s greatest hits or exploring country music streaming services to dive into his rich catalog. For true collectors, country music vinyl records or CDs are a great way to enjoy Conway’s music in its most authentic form.

Those who are eager to experience his music live can also find country music concert tickets for tribute performances and festivals like the Stagecoach Festival, where Conway’s influence is celebrated. With country music merchandise and memorabilia available, fans can further connect with the legacy of one of the genre’s greatest artists.

You’ve Got a Good Love Comin’ is more than just a song—it’s a reminder of the beauty and simplicity of love, delivered by one of the finest voices in country music. Whether you’re a longtime fan or new to Conway Twitty’s music, this track is sure to leave a lasting impression. Take a moment to listen, enjoy the richness of his sound, and explore the rest of Conway’s timeless catalog.

Video

Lyric

Look out! there’s a sunny day
I do believe it’s headed your way
You’ve been crying long enough
But you’ll forget what a teardrop was

You’ve got a good love coming
You’ve got a good love coming
You’ve got a good love coming
To you tonight

Knock, knock baby, guess who’s here
I’ve come to make one thing clear
No more heartaches, no more fear
Tonight’s the night they’re gonna disappear

Cause you’ve got a good love coming
You’ve got a good love coming
You’ve got a good love coming
To you tonight

Hold on, don’t you go nowhere
You’re gonna get it as soon as I get there

You’ve got a good love coming
You’ve got a good love coming
You’ve got a good love coming
To you tonight

You Missed

LORETTA LYNN HAD FOUR CHILDREN BEFORE SHE TURNED TWENTY. NASHVILLE HAD NOT HEARD HER NAME, BUT THE SONGS WERE ALREADY STARTING IN THE KITCHEN. Loretta Webb was fifteen when she married Oliver “Doolittle” Lynn. He was a war veteran from Kentucky. She was a coal miner’s daughter from Butcher Hollow who had barely been away from the hills where she grew up. Not long after the wedding, they left for Custer, Washington — a logging town far from Appalachia, far from Nashville, and far from any place that looked like a music career. Loretta was pregnant with her first child when they arrived. By the time she was twenty, she had four children. There were diapers, laundry, meals, bills, and a small house crowded with the ordinary work of keeping a young family alive. Doolittle worked. Loretta worked at home. Nobody was waiting in Nashville for a woman with four little children and no record deal. Then Doolittle bought her a guitar. It was a seventeen-dollar Sears guitar. Loretta did not know many chords. She learned them one at a time. She played around the house, then at local clubs, then wherever somebody would let her stand near a microphone long enough to prove she could sing. The songs came from the life she already had. They came from women who worked all day and still had to deal with a husband coming home drunk. Women who had babies too young. Women who knew what it felt like to be left behind, talked down to, cheated on, or expected to smile anyway. Loretta did not need Nashville to invent those women for her. She had grown up around them. In 1960, she recorded “I’m a Honky Tonk Girl.” Doolittle helped press the records, mail them, and drive from station to station trying to get disc jockeys to listen. The song became a hit. Then came Nashville. Then “Success.” “You Ain’t Woman Enough.” “Don’t Come Home a-Drinkin’.” “Coal Miner’s Daughter.” But the real beginning was earlier. It was a young mother in Washington State, with four children in the house and a cheap guitar close enough to reach after the work was done.

10 STUDIO ALBUMS. 13 COMPILATIONS. MILLIONS OF RECORDS SOLD. BUT BEHIND COUNTRY MUSIC’S GREATEST DUET HID A BOND THAT EVEN DEATH COULD NOT SILENCE. For decades, Conway Twitty and Loretta Lynn ruled the Nashville charts. When they stepped up to the microphone to sing “Louisiana Woman, Mississippi Man,” the chemistry was so electric that fans swore they were witnessing a real-life romance. They were the undisputed king and queen of the country duet, delivering fiery hits with a gaze that could melt an arena. But the truth offstage was far more profound. They weren’t hiding a scandalous love affair; they were building an unbreakable, platonic devotion. Through the chaotic machinery of the music industry, they became each other’s safest harbor. It wasn’t just about perfectly timed harmonies; it was about late-night conversations, shared laughter in dressing rooms, and a trust that never wavered. When Conway passed away suddenly, that harmony was broken. Loretta didn’t just lose a singing partner; she lost the brother she never had. For years, she had to stand on those stages alone, singing their songs while the silence of his absence echoed in the room. Today, as fans remember Conway’s heavenly birthday, the sorrow of his departure is replaced by the warmth of what they left behind. Conway and Loretta are both gone now, reunited somewhere beyond the stage lights. But drop a needle on one of those old records, and they are instantly alive again. Every duet needs its echo. And as long as country music exists, theirs will never fade.