Elvis Presley – Burning Love (Official Audio)

Introduction

Full view

“Burning Love,” penned by songwriter Dennis Linde, stands as one of Elvis Presley’s most memorable tracks, encapsulating the energy and spirit of early 1970s rock and roll. Originally recorded by Arthur Alexander in 1972, the song found its true prominence when Elvis Presley released his rendition on August 1, 1972, with “It’s a Matter of Time” as the B-side.

The recording session took place on March 28, 1972, at RCA’s Hollywood studios. Despite the enthusiasm of his band and associates, Elvis, who was navigating personal challenges during this period, was initially hesitant to record the track. However, with encouragement, he delivered a performance that would become his last major hit. Notably, the electric guitar riffs that define the song were overdubbed by Dennis Linde himself.

“Burning Love” achieved significant commercial success, peaking at number 2 on the Billboard Hot 100 for the week of October 28, 1972, and securing the top spot on Cashbox’s Top 40 Charts during the week of November 11, 1972. This track marked Elvis’s 40th and final Top Ten hit on the Billboard US charts, underscoring its importance in his illustrious career.

Elvis showcased “Burning Love” in notable performances, including the concert film “Elvis on Tour,” where he referred to a lyric sheet due to the song’s recent addition to his repertoire, and the “Aloha from Hawaii” concert. Despite its popularity, he seldom included it in his live performances post-1972, with a brief resurgence in 1975.

The song’s enduring appeal is evident, having been featured in various films, television series, and even a remix for the Cirque du Soleil show “Viva Elvis.” In 2015, a new orchestral arrangement was recorded with the Royal Philharmonic Orchestra, released on the album “If I Can Dream,” introducing “Burning Love” to new audiences and reaffirming its timeless charm.

Video

You Missed

HE THREW AWAY A ROCK AND ROLL CROWN TO START OVER AT ABSOLUTE ZERO. NASHVILLE LAUGHED AT HIM — BUT CONWAY TWITTY WAS WILLING TO LOSE EVERYTHING JUST TO SING THE BARE TRUTH. He already had the screaming crowds and the number-one pop hits. Record executives looked at the young singer and saw the next Elvis Presley. They handed him a golden ticket to global fame, wrapping him in a rockabilly image that sold millions of records. But behind the sneer and the loud electric guitars, a quiet desperation was growing. He didn’t want to be a teenage idol playing a character. He wanted to be a storyteller. He wanted to sing about the quiet, aching, complicated failures of adult life. So, at the height of his pop career, he did the unthinkable. He walked away from the guaranteed money, packed up his guitar, and knocked on Nashville’s doors. They didn’t want him. Country music purists saw a pop star playing dress-up. Radio DJs threw his records in the trash. The industry told him he had just committed career suicide. He didn’t argue. He just stripped away the noise and took the punishment, playing tiny, empty stages until his voice cracked with real, unfiltered heartbreak. When he finally leaned into a microphone and murmured those famous deep notes, the resistance broke. He didn’t just sing a song; he held a conversation with every lonely person in the dark. Conway Twitty didn’t just switch genres. He sacrificed an empire to find the one place his soul could finally breathe. And when millions of brokenhearted people listened to him, they didn’t hear a former rock star. They heard a man who had risked it all just to tell their story.