Introduction
“Love Letters” is a classic ballad penned in 1945 by lyricist Edward Heyman and composer Victor Young. Initially featured instrumentally in the film “Love Letters” (1945), the song gained popularity when Dick Haymes’s vocal rendition peaked at No. 11 on the Billboard chart in September 1945. Although nominated for the Academy Award for Best Original Song that year, it ultimately lost to “It Might as Well Be Spring.”
Elvis Presley recorded his interpretation of “Love Letters” on May 26, 1966, at RCA’s Studio B in Nashville. This session marked a significant period, as it was among his first non-soundtrack recordings in over two years, signaling a renewed focus on his musical artistry. The single, released on June 8, 1966, with “Come What May” as the B-side, reached No. 19 on the Billboard Hot 100 by July 22, 1966, and remained on the chart for seven weeks.
The recording featured notable musicians, including Scotty Moore on electric guitar, Chip Young on acoustic guitar, Floyd Cramer on piano, and David Briggs on organ. Backing vocals were provided by The Jordanaires and The Imperials, contributing to the track’s rich and emotive sound.
In 1970, Presley revisited “Love Letters,” recording a new version during sessions that produced the album “Love Letters from Elvis,” released in 1971. This re-recording showcased his continued affinity for the song and demonstrated his evolving musical style during that era.
“Love Letters” remains a testament to Presley’s versatility and his ability to imbue classic songs with his unique emotional depth, leaving a lasting impression on listeners and contributing to the song’s enduring legacy in popular music.