Elvis Presley – Trying To Get To You

Introduction

Full view

Trying to Get to You: A Journey Through Love and Rock and Roll

In the realm of rock and roll, Elvis Presley stands as a towering figure, an icon whose music and persona continue to captivate audiences worldwide. Among his many enduring hits, “Trying to Get to You” holds a special place, not only for its infectious rhythm and catchy melody but also for its heartfelt expression of love and longing.

Released in 1956, “Trying to Get to You” marked a pivotal moment in Elvis’s career. It was his first single to top both the Billboard Pop Singles and Country Singles charts, solidifying his status as a crossover artist and ushering in a new era of rock and roll dominance. The song’s success was undeniable, selling over a million copies and earning Elvis his first Grammy Award nomination.

Beyond its commercial impact, “Trying to Get to You” stands as a testament to Elvis’s vocal prowess and his ability to infuse his music with raw emotion. The song opens with a driving beat, setting the stage for Elvis’s impassioned vocals. His voice, imbued with both tenderness and urgency, conveys the yearning of a lover desperately trying to reach his beloved.

The lyrics of “Trying to Get to You” are a masterclass in simplicity and directness. Elvis’s words paint a vivid picture of a love that knows no bounds, a love that transcends physical distance and societal barriers. He sings of his determination to overcome any obstacle, to break down any wall that stands between him and his true love.

The song’s bridge provides a moment of respite, a gentle interlude amidst the fervent pursuit. Elvis’s voice softens, adopting a more intimate tone as he whispers sweet nothings into his lover’s ear. The lyrics, infused with tenderness and vulnerability, reveal the depths of his affection and the sincerity of his intentions.

As the song reaches its crescendo, Elvis’s voice soars, filled with an unrestrained passion that mirrors the intensity of his emotions. The final lines, repeated with increasing fervor, underscore his unwavering commitment to his love: “I’m gonna keep on trying, ’til I get to you.”

“Trying to Get to You” is more than just a rock and roll song; it is a declaration of love, a testament to the power of human connection. Elvis’s heartfelt performance and the song’s timeless message have resonated with generations of listeners, solidifying its place as one of the greatest rock and roll anthems of all time.

Video

You Missed

LORETTA LYNN HAD FOUR CHILDREN BEFORE SHE TURNED TWENTY. NASHVILLE HAD NOT HEARD HER NAME, BUT THE SONGS WERE ALREADY STARTING IN THE KITCHEN. Loretta Webb was fifteen when she married Oliver “Doolittle” Lynn. He was a war veteran from Kentucky. She was a coal miner’s daughter from Butcher Hollow who had barely been away from the hills where she grew up. Not long after the wedding, they left for Custer, Washington — a logging town far from Appalachia, far from Nashville, and far from any place that looked like a music career. Loretta was pregnant with her first child when they arrived. By the time she was twenty, she had four children. There were diapers, laundry, meals, bills, and a small house crowded with the ordinary work of keeping a young family alive. Doolittle worked. Loretta worked at home. Nobody was waiting in Nashville for a woman with four little children and no record deal. Then Doolittle bought her a guitar. It was a seventeen-dollar Sears guitar. Loretta did not know many chords. She learned them one at a time. She played around the house, then at local clubs, then wherever somebody would let her stand near a microphone long enough to prove she could sing. The songs came from the life she already had. They came from women who worked all day and still had to deal with a husband coming home drunk. Women who had babies too young. Women who knew what it felt like to be left behind, talked down to, cheated on, or expected to smile anyway. Loretta did not need Nashville to invent those women for her. She had grown up around them. In 1960, she recorded “I’m a Honky Tonk Girl.” Doolittle helped press the records, mail them, and drive from station to station trying to get disc jockeys to listen. The song became a hit. Then came Nashville. Then “Success.” “You Ain’t Woman Enough.” “Don’t Come Home a-Drinkin’.” “Coal Miner’s Daughter.” But the real beginning was earlier. It was a young mother in Washington State, with four children in the house and a cheap guitar close enough to reach after the work was done.