Introduction
“Come What May,” written by Frank Tableporter, is a poignant ballad that delves into themes of unwavering love and commitment. Originally recorded by Clyde McPhatter in 1958, where it reached No. 43 on the Billboard Hot 100, the song found renewed life through Elvis Presley’s heartfelt rendition. Elvis recorded his version on May 28, 1966, at RCA Studio B in Nashville, Tennessee. This session featured a lineup of esteemed musicians, including guitarists Scotty Moore and Chip Young, bassist Bob Moore, pianist Floyd Cramer, and saxophonist Boots Randolph, with backing vocals provided by The Jordanaires and The Imperials.
Released by RCA Records on June 8, 1966, as the B-side to “Love Letters,” “Come What May” showcases Elvis’s emotive vocal delivery, capturing the essence of enduring love despite physical separation. The lyrics convey a deep emotional bond, emphasizing that true love persists through challenges and distance. While “Love Letters” achieved notable success, peaking at No. 19 on the Billboard Hot 100, “Come What May” charted at No. 109 on the Billboard Bubbling Under Hot 100 and reached No. 94 on the Cash Box Top 100.
Elvis’s interpretation of “Come What May” reflects his ability to infuse songs with genuine emotion, resonating with listeners and reaffirming his status as a versatile artist capable of transcending musical genres. The song stands as a testament to the enduring power of love, a theme that remains relevant and touching to this day.