Rory Feek – Jesus Loves Me

Introduction

Full view

“Jesus Loves Me” is a cherished hymn that has resonated across generations since its inception in the 19th century. The lyrics were penned by Anna Bartlett Warner in 1859 and featured in the novel Say and Seal, co-authored with her sister Susan. In the story, a character sings the hymn to comfort a dying child, underscoring its message of divine love and assurance.

The hymn’s widespread popularity can be attributed to William B. Bradbury, who composed its melody in 1861. Bradbury not only set Warner’s words to music but also added the now-familiar chorus: “Yes, Jesus loves me.” This addition enhanced the hymn’s appeal, making it a favorite among children and adults alike.

Over time, “Jesus Loves Me” has been translated into numerous languages, becoming a global anthem of faith. Its simple yet profound message has made it a staple in Sunday schools and a source of comfort in various settings. Notably, theologian Karl Barth, when asked to summarize his life’s work, famously responded with the hymn’s opening line, highlighting its theological depth.

Rory Feek, an American country music singer-songwriter, has contributed to the hymn’s enduring legacy with his heartfelt rendition. Known for his storytelling prowess and deep-rooted faith, Feek’s live performance of “Jesus Loves Me” offers a fresh perspective while honoring the hymn’s rich history. His interpretation reflects a blend of traditional reverence and contemporary artistry, introducing the timeless message to new audiences.

In essence, “Jesus Loves Me” transcends its origins, continuing to inspire and comfort individuals worldwide. Through various renditions, including Rory Feek’s, the hymn’s core message of unwavering divine love remains ever relevant.

Video

Lyrics

Jesus loves me this I know
For the Bible tells me so
Little ones to Him belong
They are weak but He is strong
Jesus loves me this I know
For the Bible tells me so
Little ones to Him belong
They are weak but He is strong
Yes, Jesus loves me
Yes, Jesus loves me
Yes, Jesus loves me
The Bible tells me so
Jesus loves me still today
Walking with me on my way
Wanting as a friend to give
Light and love to all who live
Yes, Jesus loves me
Yes, Jesus loves me
Oh, yes, Jesus loves me
The Bible tells me so
Here we go
Jesus loves me He will stay
Close besides me all the way
Thou has bled and died for me
I will henceforth live for Thee
Yes, Jesus loves me
Oh, yes, Jesus loves me
Yes Jesus loves me
The Bible tells me so
The Bible tells me so

You Missed

HE THREW AWAY A ROCK AND ROLL CROWN TO START OVER AT ABSOLUTE ZERO. NASHVILLE LAUGHED AT HIM — BUT CONWAY TWITTY WAS WILLING TO LOSE EVERYTHING JUST TO SING THE BARE TRUTH. He already had the screaming crowds and the number-one pop hits. Record executives looked at the young singer and saw the next Elvis Presley. They handed him a golden ticket to global fame, wrapping him in a rockabilly image that sold millions of records. But behind the sneer and the loud electric guitars, a quiet desperation was growing. He didn’t want to be a teenage idol playing a character. He wanted to be a storyteller. He wanted to sing about the quiet, aching, complicated failures of adult life. So, at the height of his pop career, he did the unthinkable. He walked away from the guaranteed money, packed up his guitar, and knocked on Nashville’s doors. They didn’t want him. Country music purists saw a pop star playing dress-up. Radio DJs threw his records in the trash. The industry told him he had just committed career suicide. He didn’t argue. He just stripped away the noise and took the punishment, playing tiny, empty stages until his voice cracked with real, unfiltered heartbreak. When he finally leaned into a microphone and murmured those famous deep notes, the resistance broke. He didn’t just sing a song; he held a conversation with every lonely person in the dark. Conway Twitty didn’t just switch genres. He sacrificed an empire to find the one place his soul could finally breathe. And when millions of brokenhearted people listened to him, they didn’t hear a former rock star. They heard a man who had risked it all just to tell their story.