STRAIT TO TEXAS TECH! Excited to welcome George Strait to Jones AT&T Stadium for an epic night of country music. Joining him are fellow Texans Miranda Lambert and Hudson Westbrook. Tickets on sale Friday, November 21.

Introduction

STRAIT TO TEXAS TECH! 🤠🎶

Country music’s living legend George Strait is heading back to Lubbock, Texas — and this time, he’s taking over Jones AT&T Stadium for one unforgettable night!

The King of Country will be joined by fellow Texas icons Miranda Lambert and rising star Hudson Westbrook, promising a show that celebrates the heart and soul of country music like never before.

đź“… When: April 2026
📍 Where: Jones AT&T Stadium, Texas Tech University
🎟️ Tickets go on sale Friday, November 21 — and they won’t last long!

Get ready, Red Raiders — it’s going to be a Texas night to remember. 🤠🔥

Video

You Missed

IN THE EARLY 1970s, WAYLON JENNINGS’ BANDMATES GAVE HIM A BUTTERSCOTCH-BLONDE 1953 FENDER TELECASTER AND DRESSED IT IN BLACK LEATHER. HE NEVER PLAYED IT BARE AGAIN. He was a Texas kid who had once played bass behind Buddy Holly. By 1972, Waylon Jennings was 34, trapped in a long RCA contract, tired of debt, tired of producers, and tired of Nashville telling him how country music was supposed to sound. The guitar underneath was a 1953 Telecaster. Pale yellow body. Plain pickguard. The kind of instrument that could have looked perfectly at home in any clean Nashville studio. But Waylon Jennings was no longer trying to look clean. His bandmates in The Waylors covered the guitar in black tooled leather, with white western flowers carved across it like saddlework on a working horse. Later, leather artist Terry Lankford helped shape the look that became inseparable from Waylon Jennings — the leather, the initials, the western edge, the outlaw silhouette. Waylon Jennings did the rest himself. He filed the frets down low so the strings sat close to the neck, giving the guitar part of that sharp, percussive snap people later recognized before he even started singing. He played that guitar through the outlaw years, through the wild nights, through sobriety, through The Highwaymen, and through the long road that turned him from a Nashville problem into a country music symbol. The butterscotch body was still underneath. Hidden. Quiet. Waiting under the black leather. Maybe that was why the guitar felt so much like Waylon Jennings himself. Was Waylon Jennings hiding the guitar — or finally showing the man Nashville had tried to cover up?